Lecturer in Graphic Design, University of Salford
Daniel is an educator at the University of Salford. His transdisciplinary research and practice work has explored a number of areas although a notable specialism is identity - particularly as it relates to the music industry. His doctoral thesis focused on the performance of identity (especially through visual representation) plus how consequent narratives are defined in the press.
As a writer, he additionally contributes to a number of print/online publications while also the co-editor of Music/Video: Histories, Aesthetics, Media (Bloomsbury, 2017).
Daft Punk: how the mystery music masterminds used their robot disguise to take over the world
Feb 26, 2021 14:52 pm UTC| Entertainment
While Daft Punks break-up may have been unexpected, the enigmatic nature in how the public were notified was predictable. Announced via the electronic duos YouTube channel, an upload titled Epilogue turned out to be a...
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